Three lines of work, one pipeline.
You can enter at any one of them, and you do not have to take the others.
AI & UGC ad creative
UGC-style performance creative at testing volume for mobile advertising: scripts, angles, AI performers, variation waves and cutdowns, delivered to each platform's file spec.
- Scripts and angles
- UGC-style spots with AI performers
- Variation waves and cutdowns
- Platform-spec delivery
Post-production
Assembled footage to a delivered master: edit and conform, VFX and cleanup, sound design and mix, color where the shot needs it, and every delivery file your platforms require.
- Offline and online edit
- Conform and versioning
- VFX and cleanup
- Sound design and mix
- Delivery masters to spec
Motion & animation
Explainer video, logo animation, idents, titles and presentation graphics — the moving layer of a brand, built once so that everything you publish afterwards still looks related to it.
- Explainer video
- Logo animation and idents
- Titles and lower thirds
Why these three, and not a menu.
The three are stages of one job. A campaign needs creative made, finished and versioned. A product film needs a graphic layer around it. A wave of UGC-style spots needs the same grade, the same sound and the same delivery care as anything else carrying your logo. Because all three run here, more volume does not mean a new brief, a new vendor, or a drop in finish halfway through.
We start with whatever you already have — footage, a brief, a script, or nothing but an idea — and carry it through to the delivered master. One studio, one set of standards, and one person answerable for what ships.
Work spread across three vendors tends to look like it was. Work made here looks related, because the same hands finish all of it. What each line will and will not take on is written on its own page, so you know before you commission, not after.
Estimated in hours, billed as spent.
We estimate in hours before we start, and we bill the hours we actually spend. If the work is going to run past the estimate, you hear it before it happens, rather than on the invoice. Some jobs suit a fixed price instead: we quote it in advance and name the revisions it includes at the same time, minor and major, so what is covered is settled before anything is made. Either way the scope is written down first, and no number on an invoice is the first you hear of it.