Tell us what the job is.
Email reaches a person, not a queue. Say what the material is, what you need back, and when you need it.
What happens after you write.
Your message reaches the people who would actually do the work. There is no queue in front of it and no account manager in between, so nothing sits waiting to be passed along.
What comes back is a view on how we would approach the job, and a written estimate before anything starts. If it turns out we are not the right studio for the work, we will say so then rather than later.
What to send.
The more you send at the start, the closer the first version lands.
The material
Footage, stills, brand assets, an earlier cut — if there is any yet.
The brief or the script
Or the idea, if there is no script yet.
What it is for
What the piece is for, where it runs, and the deadline.
The guideline
What is allowed, what is not, and where you are flexible. This is the one most people leave out, and it is the one that saves the most time.
Do not wait until you have all of it — send what exists and we will work the rest out together. There is no form on this page on purpose: email reaches us directly, so nothing you write has to pass through a database first.
Before material changes hands.
Work runs under contract, and we will sign an NDA if your side needs one. Material is held in access-controlled storage and kept archived, so a project you come back to can be picked up and re-versioned rather than rebuilt. If you want it removed after delivery, say so and it is removed.
This is the company's registered address. The studio works remotely, so there is nothing to visit — email is the way in.