Everything after
the camera.
Advertising video, finished and versioned: edit, effects, sound and motion. We use AI at the steps where it does the job better, and hands everywhere else.
One pipeline, from brief to delivered master.
Advertising creative, post-production, and motion and animation — made from material you send or from a brief, and finished to the standard the rest of your campaign is held to.
AI & UGC ad creative
UGC-style performance creative at testing volume for mobile advertising: scripts, angles, AI performers, variation waves and cutdowns, delivered to each platform's file spec.
Post-production
Assembled footage to a delivered master: edit and conform, VFX and cleanup, sound design and mix, color where the shot needs it, and every delivery file your platforms require.
Motion & animation
Explainer video, logo animation, idents, titles and presentation graphics — the moving layer of a brand, built once so that everything you publish afterwards still looks related to it.
Scoped in writing before anything starts.
Four steps, the same four every time, with the estimate and the approvals written down before any of it begins.
You send what you have
Material, a brief, a script, references, and a clear guideline: what is allowed, what is not, and where you are flexible. The more of that we get, the closer the first cut lands.
We come back with an approach
We take it apart internally first, then come back with how we would make the piece. The estimate follows once the shape of the job is agreed, so you can disagree with the method before you are paying for it.
An estimate in hours
We estimate in hours before we start, and we bill the hours we actually spend. If the work is going to run past the estimate, you hear it before it happens, rather than on the invoice.
Approvals in stages, then the master
A portion goes back for sign-off while the work is running, so nothing is confirmed at the end for the first time. The master matches the technical spec agreed in writing before anything started.
We run AI in the same timeline as everything else.
We use it to work up ideas, references and storyboards; to generate voice and dubbing; to upscale; to build the UGC performers in an ad; and to reach visual effects a budget would not otherwise carry.
The tools we run it in
Generative work runs in the same timeline as everything else — the Adobe suite, Fusion, Resolve — rather than in a separate tool with its own export. That is the difference between AI inside a pipeline and AI bolted onto one.
Where the scripts come from
Scripts come from our own assistants, taught on what actually performs in mobile advertising rather than on what reads well on a page. A person checks every line before it is used.
Kept manual on purpose
Nothing leaves here without hand work on it. Generation gets you most of the way and no further: rotoscoping, motion graphics, logos and assets are built by hand, and the finish and the polish are always ours. That last pass is the part clients notice.
Someone watches all of it
Nothing leaves here without a person having watched it through, looking for the artifacts and defects that generated material produces. That check is not optional and it is not a sampling pass.
Where we will not go
We will not present a synthetic person as a real customer, and we will not write a testimonial nobody gave. An AI performer in a UGC-style ad is a performance, and we say so.
What happens to your material
Your material is held in access-controlled storage, and the project stays archived afterward so it can be brought back up, revised or re-versioned when you return. Work runs under contract, and we sign an NDA whenever your side needs one. If you want it deleted after delivery, we delete it.
What the work looks like when we finish it.
There is no client work we are cleared to publish yet, so these are ours: made here, on our own material, to show the finish. Each one says so underneath.
UGC-style performance
An AI performer, a script from our own assistant, cut and mixed here.
Produced in-house on our own material. Not client work.
Cleanup and finishing
Generative fill, grade and sound on our own material, in one timeline.
Produced in-house on our own material. Not client work.
Motion and titles
Type, idents and the graphic layer, finished by hand.
Produced in-house on our own material. Not client work.
We build software here too.
Not only video. The studio writes its own software, and one of those builds is now a product.
Writing our own tools began as a way to make production run better, and it did not stop there. What we are building now is an application for iOS, designed and written here.
We test it here as we build. Separately, someone outside the company is using it on their own real data, which is the only test that tells you anything. It is not finished, and the direction matters more than the date: software the studio uses itself first and puts its name on second.
Not released
There is no release date and nothing to download. When there is, it will say so here first.